The luxury cruise ship the Martian Queen was decommissioned years ago, set to drift back and forth between Earth and Mars on the off-chance that reclaiming it ever became profitable for the owners. For Saga and her husband Michel the cruise ship represents a massive payday. Hacking and stealing the ship could earn them enough to settle down, have children, and pay for the treatments to save Saga’s mother’s life.
But the Martian Queen is much more than their employer has told them. In the twenty years since it was abandoned, something strange and dangerous has come to reside in the decadent vessel. Saga feels herself being drawn into a spider’s web, and must navigate the traps and lures of an awakening intelligence if she wants to go home again.
Eleanor West’s Home for Wayward Children
Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere… else.
But magical lands have little need for used-up miracle children.
Nancy tumbled once, but now she’s back. The things she’s experienced… they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world.
But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter.
No matter the cost.
Behind the Mask is an exciting collection of short stories about the everyday lives of superheroes. Ranging from laugh-out-loud funny to deliciously dark, these stories are about the ordinary day-to-day challenges facing these extraordinary individuals growing up, growing old, relationships, parenting, coping with that age-old desire to fit in when, let’s face it, they don’t.
This anthology is an extremely mixed bunch of stories. I never expect to love all stories in a collection but this one featured some crazy highs and lows for me. When I started reading the first few stories, I was sure this was going to be an anthology I would praise without end and recommend to everyone but after finishing it, I’m not so sure anymore. Some of the stories were absolutely AMAZING, but they made me expect too much of the ones that came after and the anthology lost a little of its original appeal for me, going from diverse and unique to “just” interesting.
As a child, Rose Franklin made an astonishing discovery: a giant metallic hand, buried deep within the earth. As an adult, she’s dedicated her brilliant scientific career to solving the mystery that began that fateful day: Why was a titanic robot of unknown origin buried in pieces around the world? Years of investigation have produced intriguing answers—and even more perplexing questions. But the truth is closer than ever before when a second robot, more massive than the first, materializes and lashes out with deadly force.
Now humankind faces a nightmare invasion scenario made real, as more colossal machines touch down across the globe. But Rose and her team at the Earth Defense Corps refuse to surrender. They can turn the tide if they can unlock the last secrets of an advanced alien technology. The greatest weapon humanity wields is knowledge in a do-or-die battle to inherit the Earth . . . and maybe even the stars.
Pyrre Lakatur doesn’t like the word skullsworn. It fails to capture the faith and grace, the peace and beauty of her devotion to the God of Death. She is not, to her mind, an assassin, not a murderer–she is a priestess. At least, she will be a priestess if she manages to pass her final trial.
The problem isn’t the killing. Pyrre has been killing and training to kill, studying with some of the most deadly men and women in the world, since she was eight. The problem, strangely, is love. To pass her Trial, Pyrre has ten days to kill the ten people enumerated in an ancient song, including “the one you love / who will not come again.”
Pyrre is not sure she’s ever been in love. If she were a member of a different religious order, a less devoted, disciplined order, she might cheat. The Priests of Ananshael, however, don’t look kindly on cheaters. If Pyrre fails to find someone to love, or fails to kill that someone, they will give her to the god.
Pyrre’s not afraid to die, but she hates to quit, hates to fail, and so, with a month before her trial begins, she returns to the city of her birth, the place where she long ago offered an abusive father to the god and abandoned a battered brother—in the hope of finding love…and ending it on the edge of her sword.